My artistry primarily explores materials and challenges traditional tasks and roles. For many years I worked with ink, but I found the work quite unsatisfying after a while. There was always something missing, and it seemed like I was searching for something I didn't know where to find. All I knew was that it was itching. The more I painted, the more frustrated I became. The paintings were flat and dull and told me nothing, although I begged for resistance. Though I caressed, waited, probed.

I now believe that I was looking for a body, someone, or something to project my theories and my eternal desire for a true meeting and conversation with my practice. Something that represents a living thing, that can be more than just an object or just a surface, a feeling that can come to life. Something that wants something and that talks to me. Which is not only silent. The ink had become a relationship with an eternity of silence. So when I met with the material "the tube" a dialogue began.

I sometimes use different strategies in dialogue and communication - styles when I interact with others or with my art. Practicing automatic writing has shown me other ways to ask questions, such as Socratic conversations or motivational interviewing, and I found my writing developing into dialogues. When I saw this connection, I wanted to investigate it further and explore what direction this knowledge would take me. I got curious about the relationships between mind and body, soul and spirit, and the rational in relation to the intuitive. I wanted to know whether automatic writing, dialogues, and art-producing actions could bridge my external realities, my inner intuitive world, and the connections to knowledge.