20. Talking to a painting of Alma Thomas

Oblique strategies: 
Confirmation:

Me: I was so happy when I saw you
Painting: look behind me
Me: that's what I do
Painting: you see, I'm there behind
Me: yes, that's exactly what's so interesting. But did you had to to show so little of what's behind, I go crazy staring at it.  I get such a strong desire that what is there behind should be 
exposed a little more, I just stare, without blinking, for a long time
Painting: that is the purpose
Me: to not show everything
Painting: -
Me: not to be overly clear
Painting: -
Me: you are driving me crazy, it's like a fatal attraction. You are so vague in your exaggerations.